Showing posts with label Preproduction. Show all posts
Showing posts with label Preproduction. Show all posts

Tuesday, August 22, 2017

Leading up to 2017; Wrapping 'Body Farm'

The crew at the West Virginia State Penitentiary
"Many years in the making". That's one way to describe it. And a great way to pick up where I left off. After the venture that was 5 Minutes, my first 48 Hour Film Project, the majority of that crew were able to come back together to start filming the horror feature film Body Farm.

Fast forward to 2017. After a lengthy shooting schedule, which included some required reshoots of initial footage, principle photography finally wrapped last month.

With some time away from my personal work, I felt this would be the perfect occasion to revive my
blog, in which I discuss my personal experiences in interests relating to media. Although I've been light on projects in recent times, I have stuck with this project to the very end.

Some of our key cast and crew on set
In my sort-of absence from the "spotlight" (Does anyone actually read this blog?), I've made a lot of friends and done jobs that have led to bigger opportunities. I am still willing to help out a friend when they ask for an extra hand because I know I owe them for getting me to where I am today. To the people who have made that kind of impact in my life, thank you. You know I will always be there for you.

Five years out of college and I am still dipping my foot in the water that is the film and media community. Unfortunately, there are only so many hours in a day and I'm constantly caught in the crossroads of where to divide that time. I hope to be able to make more friends and help with other projects in the future because I've learned a lot along the way and I'm thankful for having the opportunity to be involved in so many people's passions through these short years in Pittsburgh.

Brandon Keenan preparing for the shot
One such passion is from my friend and colleague, Brandon Keenan. When we started working on Body Farm a few years ago, I was surprised that he chose me as his Director of Photography. Not because I felt I was incapable, but because I've never had someone place so much trust in me. He was asking me to tackle a project created strictly from his true passion. This was his baby and my lens was the eye that revealed his world to the audience. I was both excited and nervous to take up the challenge.

The crew that was assembled came from different backgrounds, and we worked to use those backgrounds as our strengths on the project. Once we hit our stride, the shoots became second nature to us and the process smoothed over time.

Actor/Director/Producer Nick LaMantia (right) with actor Brett Hollabaugh
Nick LaMantia of Nickel 17 Productions came on board as an additional producer to help iron out some of the areas that we were a little wrinkled in. There was also Tim Roberts, who has such an extensive background in camera work that he became my most valuable asset with camera operations, shot setup, set lighting, and other important details behind the camera. With sound, we found the talented Mr. Dave Majcher.

Kevin Hejna making his Body Farm cameo
Finally, I can't go without mentioning Kevin Hejna, who kept us all in line and on schedule during the shoot. This wouldn't have been possible without all of his hard work and dedication.

Of course, these are not the only talents involved with producing this monster. There are far too many people to name. Even those who may have only helped for a day were integral to the whole process. I want to thank each and every one of you for your assistance. We couldn't have done this without you.

Actor David Ogrodowski
What made this production work so well was the fine-tuned engine that was the cast and crew's relationship on set. We knew the right moments to be serious, communicate, and work through shots, yet at the same time, there was never any tension when working on this set. We all became close friends and colleagues and we had a lot of fun every day we shot.

Sure, it could get stressful sometimes. That comes with any film production. But we knew how to work around the tough parts and stay well connected with each other.

Now we have gone into post-production, with process quickly moving to the next step. Brandon has been editing as we shoot, expediting the process, and he continues to edit as I am writing this, working quickly through the process to create the best possible product.

More will come once the process is complete. I will keep writing on my personal projects as well. Oh, and the name change. I forgot to mention that. I chose "Cipher Eye Selfie" as a running joke on the set of 'Body Farm' and the selfies I would post on Instagram from the set. I felt the slight name was appropriate for the soft reboot of this blog. Hopefully, this will be the last soft reboot I will have to do in a while.

Take care and talk to you again soon.

Cheers!
Steven

Saturday, January 11, 2014

Some of That 'New Year, New You'...Stuff.


"What makes an excellent screenplay? Is it the size of the bridges that are blown up or the number of cars that crash in the first ten minutes of the film? Or is it the characters and what they say and feel?"

Take a moment and let that sink in.

"We all know the answer to that one."

Well, hopefully.

The answer should always be 'it's the characters.'"

These quotes come from Myrl A. Schreibman, an experienced Producer and author of The Indie Producer's Handbook: Creative Producing from A to Z. This was a book that was recommended to me by a friend back in college. It was then a required text for a video production. Obviously, it holds great importance to my colleagues and mentors. However, I'm ashamed to say that I am just now getting around to reading it, as I prepare several film and video projects for production, later this year. This guide has proved invaluable to me. Of course, I'm not here to plug some random book you may or may not care about. This is leading somewhere. This is how I ended up starting my new year: nose in a book and feet to the pavement. Overlooking my poor attempt at idioms, let's move onto some recaps from 2013. Then, we'll get to what's brewing for 2014.

Still from 5 Minutes... Credit goes to Steven E. Croner and Suture Films.


It's been a while since I've made some major updates. The last time I wrote an entry, it came with the online premiere of the gory horror short, 5 Minutes... : The Director's Cut. It's over at YouTube, if you want to take a gander at it. Since that time, I've been extremely busy with different projects and jobs. In meantime, I had a chance to upload some photography stills over at Flickr. You can check those out to see what I've been up to with my (limited) free time. Most of that time has been (happily) taken up by film productions, and 2013 was not lacking in the film department.

Continuing into 2014, Shepard, the web series from Grimm Sleeper Productions and the talented Mr. Joshua D. Maley (here's the Facebook page) will wrap its pilot in the very near future. I'll provide some tidbits on my experience with this amazing production sometime next week. In the meantime, check out the website and like the Facebook page!

Jason Shepard, as portrayed by Dustin “Roz” Tichenor. Image credit goes to Grimm Sleeper Productions.
Back in November, I had the pleasure to work with an awesome cast and crew on a short called Judgement. Check out the Facebook page and give it a Like. I can't release too many details about the project, but I have some awesome material to share, once the time is right. Stay tuned for more!

Official Self Obscurities DVD box art. Credit goes to Nickel 17 Productions.
Speaking of short films, I got the chance to see the finalized film anthology, Self Obscurities. This short film series from Nickel 17 Productions and Mr. Nick LaMantia (Facebook page) was produced in the span of less than two years and includes three short films: Soliloquy, Assertions, and Confessional. I was fortunate enough to be apart of all three productions. In fact, Soliloquy was my first official film production in the Greater Pittsburgh Area! So, you can imagine how happy I was to finally receive a hard copy of the finished product. This is the part that makes it all worthwhile. Thanks again to Nickel 17 for providing me the opportunity to connect and work with such an amazing and talented cast and crew! So, what's next for 2014?

Andrew Wolf. Image by Steven E. Croner.

2013 was a great year, and this year will prove to be even better! I already have man projects in the works. At this time, I can only provide a few details, since many of the projects are in the extremely early stages of development and preproduction. One particular project will be a collaboration with the talented Mr. Andrew Wolf on a film adaptation. The project is a short film based on the play Lights Up, which is also written by Mr. Wolf. More details will surface, once we go into production in a few months.

Other projects are also on the rise. Like I said, it's too soon to release any firm details. However, I would like to take this opportunity to expand my blog beyond the boundaries of projects that include my involvement. I plan to feature projects and production companies that are local and/or small budget and deserve the spotlight. I hope to have these features complete with interviews and exclusive materials to showcase right here on this blog. I want to reach out to artists and filmmakers in the community. Help me to help you!

While we're at it, help me to spread the word about the previously mentioned people, companies, and productions. Check out the below pages, follow them, and share with your friends! They're all in place to help promote this blog and local filmmakers. Things are about to get BIG in 2014.


Facebookhttps://www.facebook.com/ciphereyemedia
Twitterhttps://twitter.com/CipherEyeMedia
Google+https://plus.google.com/+SecronerCEM/

These are the official social media pages to my blog and related work. Also, check out my personal website, which acts as the central hub:

http://www.secroner.com

Next week, I'll go over my experiences with the Canon EOS 6D, as I close in on one year with this solid piece of hardware. After that, I plan to dive into a little more detail with an ongoing production. Cheers!


Tuesday, October 15, 2013

"5 Minutes to What?!"

So, I worked on a film this summer. It was a bloody mess. Just an absolute bloody mess. It was absolutely horrifying...oh, let me clarify. I'm talking about film CONTENT, not the film itself, nor the production. The shoot was fantastic. The cast and crew were fantastic. The overall experience was fan-freakin'-tastic!

What started out as a three day contest evolved into something greater. We signed up for the 48 Hour Film Project, not knowing what we would be getting ourselves into.

The project had to be written, shot, edited, and submitted within 48 hours (hence the name of the contest). We began our weekend of filming on a Friday night, where our team, Suture Films, arrived at Chatham University, the central hub of this weekend event. There, we drew our film genre from a hat, noted the requirements of the short film, and went on our merry way.


Equipment test!
We ended up drawing horror. Though this was my first horror film, I embraced the opportunity to try something new. We went back to our set, where our team of writers cranked out a script, while the rest of us prepared the set for the shoot. By the end of Friday night, all the preparations were complete. We were ready to start filming, and the title of the film was chosen: "5 Minutes..."

The shoot officially kicked off the next day. Drenched with special effect goodness, we shot and
experimented until we were all bloodied (all fake, of course) and sweaty (it was HOT on the set). Though we were pressed for time, due to a few scheduling conflicts, we were still able to get what we needed and wrap by the end of the day. Things were looking good. Really good.

Then day three came. Sunday was dedicated to editing. We did run into some trouble with the process, but we were still able to submit something by the deadline that day. Unfortunately, we decided that the final product still needed some work, so we decided to pull the film from the 48HFP screening.

 We figured that everyone worked so hard on the project, we wanted to release the best possible product. We wanted our contributors to be proud to say that they worked on this production. So, we decided to take our time and spend the next few months recutting the footage until we had something that we could all be proud of. Several days ago, our latest edit went live (embedded below).

I am very happy with the results. Since it is the perfect season for the horror genre, this is the perfect time to unveil a project that all of us put a lot into.

With the release of our film, I would like to take this opportunity to thank everyone who was involved in the film. You guys did a great job and showed a level of passion and professionalism that I have never seen before. I would also like to give a shout-out to all my Juniata colleagues that assisted in the production. You guys did a fantastic job and made the production a wonderful experience! That goes for the rest of the cast and crew! You guys made it possible to make a dream come true: to produce my own film! You have all my appreciation and respect. You are all a very talented group and I hope to work with you all again!

Physically and mentally preparing for the next shot!
I would also like to take this opportunity to thank all of our supporters of this project! You guys helped us to move forward with this project and strive to make something that you would all love. We hope that you all enjoy watching this film as much as we enjoyed making it!

A handful of the people who helped to make this possible!
Next, we will be looking to polish the film and begin screening it in a few festivals and contests. Stay tuned for any future updates! Thanks again for all of your love and support! Cheers!

And here it is folks! It's the moment you've all been waiting for:




Tuesday, October 8, 2013

Climbin' in Our Windows, Snatchin' Our I.D.s Up

Adobe's Response, "Hide Yo Kids, Hide Yo Wife...Oh, and Change Your Password."


I received a rather alarming email from Adobe on October 4th. It was a statement detailing an attack on Adobe's network. It seems somebody was able to hack into their system, however it doesn't seem as though it was anything major.

The email stated, "We recently discovered that attackers illegally entered our network. The attackers may have obtained access to your Adobe ID and encrypted password. We currently have no indication that there has been unauthorized activity on your account. If you have placed an order with us, information such as your name, encrypted payment card number, and card expiration date also may have been accessed. We do not believe any decrypted card numbers were removed from our systems."

Well, that's not good. However, the email went on to explain, "To prevent unauthorized access to your account, we have reset your password."

"We recommend that you also change your password on any website where you use the same user ID or password. As always, please be cautious when responding to any email seeking your personal information."

Well, at least it doesn't seem too bad. The personal information stolen was still encrypted, meaning that there is a very small chance that anyone will become a victim of identity theft. Or, at least that's what Adobe is trying to assure. At this point in time, there is "no increased risk to customers as a result of this incident." Whew.

Still, this has me on the edge of my seat. How could such a large and innovative company like Adobe be hacked so easily? And does that mean that larger potential threats could be imminent? Considering that this probably put Adobe on high alert, I would assume not. But sooner or later, they could possibly let their guard down again. Unfortunately, that's just the nature of any business housing millions of private accounts on file. As Jim Gordon, portrayed by Gary Oldman, once said, "We start carrying semi-automatics, they buy automatics. We start wearing Kevlar, they buy armor piercing rounds." The only way to get the upper-hand is to stay on your toes.

Users of Adobe products (or any online resources, for that matter) should definitely change their passwords every so often (6 months to a year), and be smart about who they share their information with. I might be telling you what you already know, but it's important to remind yourself of the ways to stay safe in the digital frontier, especially after what just happened with Adobe. 

Wednesday, August 14, 2013

Back to the Drawing...errr...Storyboard

Once again, it's time to get productive. While I have some downtime between the wrap of my 48 Hour Film Project and the start of fall videography jobs, I figured I would get some screenwriting and pre-production pumped out. While I'm not entirely sold on which story idea will get developed into a shooting script, I plan on working out the details of over half a dozen ideas that I have compiled, in hopes that the strongest script will stand out. From that point on...well...one step at a time.

I previously said that I would have a short film ready for production by August. Obviously, that's not going to happen. Between work, job transitioning, and freelance gigs, it seems as though time is limited to whatever I can scrounge up, especially in the next couple of weeks. For the time being, bear with me and know that I am working hard to bring something to life.

Itching to do this again.


Also, if you have any ideas that you would like assistance in bringing to life or would like to assist me in my own work, feel free to contact me. All of my contact information is at www.secroner.com, along with any updates on projects. And, as always, keep checking back here for a more in-depth look at any project updates. Cheers!